![]() ![]() I’m sure there are others who produce very good brushes and overlays, who I am forgetting at the moment. Heather Michelle and Malissa Gallo both have wonderful texture overlays. But, you could also get pretty good results with texture overlays. If you want to work with my brushes, I think I would say use Bristly Dabs or Buttery Oils…with a preference toward Bristly Dabs…use the ones that do not have impasto. Many folks have very good brushes out there…Karen Bonaker, Tim Shelbourne, John Lowther, Helen Yancy, Marilyn Sholin and Heather Michelle to name a few. Impasto or build up of paint traditionally happens on the highlights. I suspect that Rembrandt’s backgrounds were thin, but I do not know this for sure…I guess I am saying that I would not work with impasto in the background. Sketch, paint, illustrate and produce unparalleled photo-art with hundreds of impeccably realistic artist-created brushes, superior blending, and an array of versatile art tools. Rather than try to find a brush for you, let me give you a couple of pointers and maybe point you in the right direction. Create next-level results with trusted, professional digital art software. Delve into our wide range of artistic effects, techniques, and themes using this incredible bundle of 510 unique brushes in 34 separate packs. ![]() Your question is very broad and there are lots of avenues you could take and many, many brushes that would probably do the job. Venture outside the lines with trusted, professional digital art software that offers realistic brushes, exciting media, and an array of versatile tools. I’ve delayed answering because I am unsure how to proceed. I have received a number of requests from different places to help folks with brush. ![]()
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